I’ll go ahead and dispense with the pleasantries of apologizing for not updating this blog very frequently. We can go ahead and take that as given, I suppose.
In truth, I didn’t have too much to write about for about a week and a half after the last post, and that’s in part because I was catching up a bit on reading and work that I hadn’t been doing the previous couple weeks. So, that was the story from about the 13th through the 23rd of October.
Fortunately, I did have some fun and interesting stuff going on last weekend. Charly came over the pond for a convention on Friday (the 22nd) and stayed in town until early today (the 29th). He arrived that Friday afternoon and we walked around a bit, grabbed a pint, and caught up. The next morning, he was off to the Unconvention, and I was off, with all the students, to Oxford!
Oxford was, in a word, lovely. We rolled into town (on a rail, of course) around 11am to find that the weather, which was supposed to be cold and rainy all day, was actually a beautiful sunny and clear 50 degrees. We had some time before our scheduled tour, so Ann and I went over to the Ashmolean museum, where there was a very nice (and pretty extensive) exhibition on the pre-Raphaelites, specifically “The Pre-Raphaelites and Italy.” It was an extremely impressive exhibit, especially the entire wall of Ruskin drawings and daguerreotypes (very important since I’m looking at Ruskin as part of my project). There were also some very good D.G. Rossetti and Burne-Jones pieces. Very cool.
After that (and lunch), the group got a walking tour of Oxford, which took us through 2 of the 38 colleges of the University. Oxford is organized into colleges, which don’t really mirror the American model. To paint with VERY broad strokes, think of the college as an American college within a house in Harry Potter (I know, I know, but you get the point). First up was Trinity College, one of the smallest colleges (400 students…the only college on campus that can guarantee housing to all its students). Famous alumni of Trinity include Cardinal Newman, and, in fiction, Jay Gatsby (not that I equate the two. Good lord do I hate The Great Gatsby…)
Even the smallest college has, of course, huge gardens and fields, which are all beautiful and out of the way. These are neatly enclosed behind stone walls (in quads) and locking gates, primarily because of the historic tension between town and gown. Modern iterations of that kind of drama don’t really hold a candle, especially given the body count (one riot saw 63 students killed by townsfolk). Hence, the quad (essentially a fortified structure) as spatial organizing principle of the university.
Anyway, from there, we walked over to New College, which is one of the larger colleges and also, famously, a shooting location for the Harry Potter movies, including the dining hall scenes. Yes, the Griffyndor table is the most popular, and it’s the only one they set when they have a low traffic evening. It’s a bit interesting to see it as college dining hall (complete with computer and card scanner at the front). It’s cool because of its age, though it’s clearly been renovated and refurbished. (Of course, this is where I obnoxiously claim that the dining hall in Burton-Judson at Chicago is just as nice, not to mention bigger, while admitting that it owes its design in part to this kind of room at Oxford…etc, etc.)
Right around the corner from the dining hall is the New College cloister, also a location for Harry Potter filming (Malfoy got turned into a ferret under the big tree in the middle). Needless to say, my students were a bit ecstatic at all of this, and there were plenty of photo ops. Hell, I admit it, I had fun too.
The tour took us by THE Bodleian Library, which was wonderful to see, and then out and around the corner where we finished.
We had group train tickets (you needed to travel together), so we broke into groups for the rest of the day. My group included our two Museum studies majors (and since I didn’t have anything specific that I wanted to see, I tagged along with their plans), so we went up and spent a couple of hours in the Pitt-Rivers Natural History Museum.
Now, I’m not sure when I got it in my head that I didn’t find natural history museums interesting. It must have been after I concluded that I did not, in fact, want to be a paleontologist, which was actually a bit later than most kids my age, but I decided, unconsciously, that I liked other history museums better. Don’t know why (but it does kind of explain why I liked the MSI so much more than the Field Museum…). In short, I would not have thought to go to the Pitt-Rivers museum had I been left to my own devices.
And I would have missed out in truly spectacular and embarrassing fashion.
It was probably one of the most interesting museums I have ever seen, from the building interior (which positively screamed turn of the century stone, steel, and glass) to the exhibit design, which retains the wood and glass case layout (including hand-written captions), to the positively mind-boggling amount of stuff packed into the space. The average case was, say, four by six feet, and each one had to contain dozens (and sometimes upwards of 50) artifacts and objects. It was overwhelming. You could walk through the place, setting foot in every square inch of available floor space, and still not see something. I retraced my steps several times, and I know that in walking down the aisles of cases that I missed something, regardless of how often I looked through each case. Plus, there were dinosaurs. Lots of them. Fully reconstructed dinosaur skeletons are always, always, going to be awesome. Admit it.
It was overwhelming and exciting. And because it looked so much like a late Victorian museum, there was a feeling of looking back at a sensibility that has (justifiably) passed on. There are some very controversial issues with British museums, as you may know, and there are quite a few artifacts at Pitt-Rivers that were acquired by less than, shall we say, honorable means (yes, I know that downplays the severity). The building still looks the part of imperialist showcase, but the exhibits that contain controversial items acknowledge the controversies as part of the display, which adds a fascinating angle to the whole thing. It has the interesting effect of making you feel (or it made me feel, I guess) as if you’re looking at artifacts and the controversy surrounding the artifacts and museums and cultural property and repatriation and all of it at once. It’s messy and chaotic drama sitting behind a piece of glass. It just doesn’t seem to lend itself to a neat and tidy answer (should this that or the other thing be done…).
And because of all that strange nuance, it was, frankly, overwhelming and wildly intoxicating.
But enough of that, reductive as it is. The Pitt-Rivers Museum is an incredible thing, good or bad.
Afterwards, we found ourselves in need of dinner. And of course, if you’re a nerd in Oxford, there’s not shortage of places to go, but since we had both C.S. Lewis and Tolkien nerds in the group, it was off to the Eagle and Child.
The Eagle and Child is, of course, where Tolkien, Lewis, and the Inklings (their writerly group of geeks…or geeky group of writers?) met to talk over matters of geeky or writerly import. And also to drink. Or to drink and talk over…well, you get the idea.
Anyway, the original pub has expanded into what was once the horse pasture out back, which is where the only available seating was (we were quite literally seated in the back corner of the building). The fish and chips were good, and it was neat to eat there. Sadly, there was a bit of a tourist element to the clientele, and what appeared to be a group of carousing American students and their British friends (by carousing I mean drunk) singing loudly. (“Swing low, sweet chariot”…”Don’t stop…believing…”…“Bye, bye miss American Pie, drove my Chevy to the…” groan.) Fortunately, they shut up after a while and we enjoyed the rest of the meal. It’s worth noting that I was not quite as excited as some of my students to use the same urinal trough as C.S. Lewis.
They did not, however, sell t-shirts or paraphernalia, so no souvenirs. Sorry.
And then we caught the train back to London. Overall, Oxford a big thumbs up.
Next time…THE TOWER!